I don’t have children. When it comes to family I can only look at the past, nostalgia haunting my vision of the present. This series is a visual attempt to fuse together opposing, intensely personal worlds.
In the foreground, film slides from my father’s photo archive depict a simpler, happier analogue world. The background consists of pixelised photographs I have taken, in all of the places I have come to call home. It suggest a complex, marginalised state of personal and universal being, splintered in the face of technocracy.